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JENNY LIND WAS MARRIED TO FRANZ LIZT SERIES

Liszt was apparently surpised by this attention.

one anecdote went that a lady in waiting rescued his discarded cigar butt from a gutter, and wore it in a diamond encrusted phial, though everyone was constantly horrified by its smell.

it was compared to an infectious disease… described in Walker's:.

term coined by Heinrich Heine (who I will discuss with the next source).

The term "Listomania" came from the mania that surounded Liszt's performances in Berlin in 1841.

Info on Lisztomania from Walker's biography vol. This shows that a publisher will be more successful playing to an audiences wants rather than their needs. James Deaville is his chapter, "Publishing Paraphrases and Creating Collectors: Friedrich Hofmeister, Franz Liszt, and the Technology of Popularity" part of Liszt and His World suggests that Lisztomania prompted amateur piano players to buy many of Liszt's works despite them being far out of their ability range. Few modern pianists could match that feat." Generally overlooked in the hullabaloo surrounding the Berlin concerts is a remarkable musical achievement: during his ten-week sojourn in the Prussian capital Liszt gave 21 concerts and played 80 works, 50 of them from memory. There is a rich supply of anecdotes from those years, part of that stock-in-trade material which his popular biographers have not been slow to use. Female admirers sought souvenirs in the form of hair clippings, cigar stubs and the dregs from his coffee cups.

The behaviour of his audiences has been compared to the mass hysteria associated with revivalist meetings or 20th-century rock stars, and prompted Heine to identify the phenomenon as ‘Lisztomania’. Such images of the profligate Liszt still haunt the literature and colour the way we view his life.

‘Not like a king, but as a king’, wrote Rellstab in one of the best accounts we have of this visit.

JENNY LIND WAS MARRIED TO FRANZ LIZT SERIES

After a sensational series of concerts in the Singakademie (attended by Mendelssohn, Meyerbeer and Spontini, as well as the entire Prussian royal family), Liszt was driven to the Brandenburg Gate in a coach drawn by a team of white horses, with crowds lining the Unter den Linden bidding him farewell. "A climax of sorts was reached in Berlin in 1841.The following is an excerpt from the Oxford Online article about Liszt:

Lisztomania is used to describe the frenzy surround Liszt when he was most popular. 70) John Braham, 'March 4th 1844' Charles Santley, '21 March 1868'. 60v) Franz Liszt, 8 bars from the Grand galop chromatique, 'Edinburg, le 21 janvier 41' 26v) Johann Baptist Cramer, 'In the Scotch style', 'Kensington, May 10th 1855' 26) Fanny Persiani, '24 Fbbo 1839' Marco Bordogni, 'Paris, le 17 avril 1839' 23v) Auguste Franchomme, 'Paris, 19 avril 1839' 1865' Mathida Enequist Alfredo Piatti Clarice Sinico Bettini, '21 Mar. 12) Therese Tietjiens Lucile Dorsani (?) Enrico Bevignani A. Lablache de Thésis (?) ' Alessandro Zoboli A.J. (?) H-(?) Giuseppe Caravoglia Zélia Trebelli Bettini C. 11) Mariette Alboni, 'Edinburgh, 19 7bre 1848' A.(?) Reichard, Alessandro Bettini, '1859' Jon. 9) Sigismond Thalberg, 'Edinbro, January 12th 1840' Carl Formes, 'Edinburg, 27/1/854' 8) Jacques François Gallay, 'Prélude pour le cor', 'Paris, le 18 avril 1839' 7) Giacomo Meyerbeer (from Il Crociato in Egitto) 5v) Pauline Garcia, 'Des Knaben Berglied', 'le 3 mars 1839' 5) Charles de Bériot, 'Paris, le 22 fevrier 1839' Luigi Lablache, 'Canone a 2', 'Paris, 23 fevrier 1839' 3-4v) Giovanni Tadolini, 'La gioja del pastore svizzero. 2v) Michele Carafa, 'Parigi, Marzo 1839' 1v) Michael Costa (from Malek Adel) Daniel-François-Esprit Auber (from La muette de Portici) 1) Gaetano Donizetti (from Lucia di Lammermoor) Fromental Halévy (from Guido et Ginevra) Adolphe Adam (from Le brasseur de Preston)